The permanent collection is both diverse in representation of art historical periods and styles and concentrated in selected areas to reinforce curricular and regional historical priorities.
Focused collections include American 19th and 20th century paintings, prints, and sculpture, which are utilized to illustrate historical trends in art, literature, science, and political and social history. A strong works on paper collection, numbering over 1,500 pieces, features works by Dürer, Rembrandt, and Cézanne; early 20th century New York and Philadelphia School artists, such as John Sloan, Robert Henri, George Luks, and Joseph Pennell; a lively group of Op and Pop Art compositions; and numerous paintings and prints by Françoise Gilot. The Japanese woodcut, scrolls, and artifact collection supports the extensive Japanese language, teaching and culture courses taught at Ursinus, as well as links to the college’s exchange program with Tohoku Gakuin University. A significant collection of Pennsylvania German art and artifacts (fraktur, quilts, furniture, pottery, and utilitarian objects) is utilized extensively for research by campus and external scholars, exhibitions, and classroom instruction.
Contemporary sculpture, an area of collecting the Bermans were passionate about, is well represented in the collection by a large selection of maquettes by artists such as Buky Schwartz, Igael Tumarkin, Menashe Kadishman, Lynn Chadwick, George R. Anthonisen and others. The museum holds the largest private collection of maquettes and large-scale sculpture by Lynn Chadwick, dating from 1957-1987. The grounds of Ursinus College hold a significant collection of 20th century sculpture, numbering over 80 objects. The outdoor sculpture collection is available for viewing from sunrise to sunset.
1. Laurel Sparks, Cat’s Cradle, 2013.
2. David Levinthal, Wild West Sheriff 11-94, 1994.
3. Harry Bertoia, Weeping Willow, n.d.
4. Keisai Eisen, Japanese Print, 1790-1848.
5. Joe Amrhein, Detailfulle, 2008.
6. Artist, Painting, Year